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tingent event. What society selects as crucial to
perceive about drugs, and what it ignores, tells us a great deal about its cultural fabric.
The scientist makes a distinction between those questions that can be answered
empirically and those wholly in the realm of sentiment. The question of whether
marijuana causes crime is answerable, but the question of whether marijuana is evil or not
is intrinsically unanswerable, within an empirical and scientific framework. It depends
completely on one's perspective. However clear-cut this distinction is in the scientist's
mind, as a tool for understanding the disputants' positions in this controversy, it is
specious and misleading for a variety of reasons.
(3 of 16)4/15/2004 1:03:47 AM
The Marijuana Smokers - Chapter 3
The strands of value and fact intersect with one another so luxuriantly that in numerous
reasoning sequences they are inseparable. What one society or group or individual takes
for granted as self-evidently harmful, others view as obviously beneficial, even necessary.
In crucial ways, the issue of harm or danger to society as a result of the drug pivots on
moot points, totally unanswerable questions, questions that science is unable to answer
without the resolution of certain basic issues. And for many crucially debated marijuana
questions, this modest requirement cannot be met. In other words, before we raise the
question of whether marijuana has a desirable or a noxious effect, we must first establish
the desirability or the noxiousness to whom. We must PAYPAL
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differential evaluations of the same objective consequences. Many of the drug's
effects—agreed-upon by friend and foe alike—will be regarded as reprehensible by some
individuals, desirable or neutral by others. Often antimarijuana forces will argue against
the use of the drug, employing reasons which its supporters will also employ—in favor of
its use. We have not a disagreement in what the effects are, but whether they are good or
bad. This is probably the most transparently ideological of all of the platforms of debate
about marijuana. Three illustrations of this orbit of disputation suffice.
Were marijuana use more prevalent than it is today, there would come the billowing of
a distinct aesthetic. The state of marijuana intoxication seems to be associated with, and
even to touch off, a unique and peculiar vision of the world.
That the marijuana-induced
vision is distinctive seems to be beyond dispute;[5] that it is rewarding or fatuous is a
matter for endless disputation. Inexplicably, the drug seems to engender a mental state
which is coming into vogue in today's art forms. An extraordinarily high proportion of
today's young and avant-garde artists—filmmakers, poets, painters, musicians, novelists,
photographers, mixed-media specialists—use the drug and are influenced by the
marijuana high. Some of the results seem to be the increasing irrelevance of realism; the
loss of itingent event. What society selects as crucial to
perceive about drugs, and what it ignores, tells us a great deal about its cultural fabric.
The scientist makes a distinction between those questions that can be answered
empirically and those wholly in the realm of sentiment. The question of whether
marijuana causes crime is answerable, but the question of whether marijuana is evil or not
is intrinsically unanswerable, within an empirical and scientific framework. It depends
completely on one's perspective.
However clear-cut this distinction is in the scientist's
mind, as a tool for understanding the disputants' positions in this controversy, it is
specious and misleading for a variety of reasons.
(3 of 16)4/15/2004 1:03:47 AM
The Marijuana Smokers - Chapter 3
The strands of value and fact intersect with one another so luxuriantly that in numerous
reasoning sequences they are inseparable. What one society or group or individual takes
for granted as self-evidently harmful, others view as obviously beneficial, even necessary.
In crucial ways, the issue of harm or danger to society as a result of the drug pivots on
moot points, totally unanswerable questions, questions that science is unable to answer
without the resolution of certain basic issues. And for many crucially debated marijuana
questions, this modest requirement cannot be met. In other words, before we raise the
question of whether marijuana has a desirable or a noxious effect, we must first establish
the desirability or the noxiousness to whom. We must concern ourselves with the
differential evaluations of the same objective consequences. Many of the drug's
effects—agreed-upon by friend and foe alike—will be regarded as reprehensible by some
individuals, desirable or neutral by others. Often antimarijuana forces will argue against
the use of the drug, employing Marijuanaseedspaypalcanada reasons which its supporters will also employ—in favor of
its use. We have not a disagreement in what the effects are, but whether they are good or
bad. This is probably the most transparently ideological of all of the platforms of debate
about marijuana. Three illustrations of this orbit of disputation suffice.
Were marijuana use more prevalent than it is today, there would come the billowing of
a distinct aesthetic. The state of marijuana intoxication seems to be associated with, and
even to touch off, a unique and peculiar vision of the world.
That the marijuana-induced
vision is distinctive seems to be beyond dispute;5] that it is rewarding or fatuous is a
matter for endless disputation. Inexplicably, the drug seems to engender a mental state
which is coming into vogue in today's art forms. An extraordinarily high proportion of
today's young and avant-garde artists—filmmakers, poets, painters, musicians, novelists,
photographers, mixed-media specialists—use the drug and are influenced by the
marijuana high. Some of the results seem to be the increasing irrelevance of realism; the
loss of itingent event.
What society selects as crucial to
perceive about drugs, and what it ignores, tells us a great deal about its cultural fabric.
The scientist makes a distinction between those questions that can be answered
empirically and those wholly in the realm of sentiment. The question of whether
marijuana causes crime is answerable, but the question of whether marijuana is evil or not
is intrinsically unanswerable, within an empirical and scientific framework. It depends
completely on one's perspective.
However clear-cut this distinction is in the scientist's
mind, as a tool for understanding the disputants' positions in this controversy, it is
specious and misleading for a variety of reasons.
(3 of 16)4/15/2004 1:03:47 AM
The Marijuana Smokers - Chapter 3
The strands of value and fact intersect with one another so luxuriantly that in numerous
reasoning sequences they are inseparable. What one society or group or individual takes
for granted as self-evidently harmful, others view as obviously beneficial, even necessary.
In crucial ways, the issue of harm or danger to society as a result of the drug pivots on
moot points, totally unanswerable questions, questions that science is unable to answer
without the resolution of certain basic issues. And for many crucially debated marijuana
questions, this modest requirement cannot be met. In other words, before we raise the
question of whether marijuana has a desirable or a noxious effect, we must first establish
the desirability or the noxiousness to whom. We must concern ourselves with the
differential evaluations of the same objective consequences. Many of the drug's
effects—agreed-upon by friend and foe alike—will be regarded as reprehensible by some
individuals, desirable or neutral by others.
Often antimarijuana forces will argue against
the use of the drug, employing reasons which its supporters will also employ—in favor of
its use. We have not a disagreement in what the effects are, but whether they are good or
bad. This is probably the most transparently ideological of all of the platforms of debate
about marijuana. Three illustrations of this orbit of disputation suffice.
Were marijuana use more prevalent than it is today, there would come the billowing of
a distinct aesthetic. The state of marijuana intoxication seems to be associated with, and
even to touch off, a unique and peculiar vision of the world. That the marijuana-induced
vision is distinctive seems to be beyond dispute;5 that it is rewarding or fatuous is a
matter for endless disputation. Inexplicably, the drug seems to engender a mental state
which is coming into vogue in today's art forms.
An extraordinarily high proportion of
today's young and avant-garde artists—filmmakers, poets, painters, musicians, novelists,
photographers, mixed-media specialists—use the drug and are influenced by the
marijuana high. Some of the results seem to be the increasing irrelevance of realism; the
loss of itingent event.
What society selects as crucial to
perceive about drugs, and what it ignores, tells us a great deal about its cultural fabric.
The scientist makes a distinction between those questions that can be answered
empirically and those wholly in the realm of sentiment. The question of whether
marijuana causes crime is answerable, but the question of whether marijuana is evil or not
is intrinsically unanswerable, within an empirical and scientific framework.
It depends
completely on one's perspective. However clear-cut this distinction is in the scientist's
mind, as a tool for understanding the disputants' positions in this controversy, it is
specious and misleading for a variety of reasons.
(3 of 16)4/15/2004 1:03:47 AM
The Marijuana Smokers - Chapter 3
The strands of value and fact intersect with one another so luxuriantly that in numerous
reasoning sequences they are inseparable.
What one society or group or individual takes
for granted as self-evidently harmful, others view as obviously beneficial, even necessary.
In crucial ways, the issue of harm or danger to society as a result of the drug pivots on
moot points, totally unanswerable questions, questions that science is unable to answer
without the resolution of certain basic issues. And for many crucially debated marijuana
questions, this modest requirement cannot be met. In other words, before we raise the
question of whether marijuana has a desirable or a noxious effect, we must first establish
the desirability or the noxiousness to whom. We must concern ourselves with the
differential evaluations of the same objective consequences. Many of the drug's
effects—agreed-upon by friend and foe alike—will trippy trippy trippy be regarded as reprehensible by some
individuals, desirable or neutral by others. Often antimarijuana forces will argue against
the use of the drug, employing reasons which its supporters will also employ—in favor of
its use. We have not a disagreement in what the effects are, but whether they are Howtomakeatrippystick good or
bad. This is probably the most transparently ideological of all of the platforms of debate
about marijuana. Three illustrations of this orbit of disputation suffice.
Were marijuana use more prevalent than it is today, there would come the billowing of
a distinct aesthetic. The state of marijuana intoxication seems to be associated with, and
even to touch off, a unique and peculiar vision of the world. That the marijuana-induced
vision is distinctive seems to be beyond dispute;5 that it is rewarding or fatuous is a
matter for endless disputation. Inexplicably, the drug seems to engender a mental state
which is coming into vogue in today's art forms. An extraordinarily high proportion of
today's young and avant-garde artists—filmmakers, poets, painters, musicians, novelists,
photographers, mixed-media specialists—use the drug and are influenced by the
marijuana high. Some of the results seem to be the increasing irrelevance of realism; the
loss of i
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(Big Bud x Skunk #1) 23.25 oz. Cured, VERY well manicured. Also made 2 lb of butter, that turned out way too
strong) and 10 grams of hash. There were 8 1/2 plants grown from clone(one was a complete runt, I don't
know why I even let her live). Plants were vegged in an aeroponic/NFT system for 3 weeks under a 1000MH with
an AgroSun bulb. They were about 18-20 inches tall when switched. Each plant was topped twice. Flowering was
in an NFT system. The first 2 weeks a single 1000MH w/ AgroSun was used. A second identical light was added
at the third week. Flowering took about 70 days. These were the most crystallized plants of this variety that
I've ever grown. Slow cured over 1 1/2 months.
First on newspaper, then into paper bags, then into mason jars.
Smell is incredible. High is incredible. Normally I find BB a little less potent that I'd like. This PAYPAL WEEDS crop just floors
me. High starts out mellow, upbeat, then Sprout Marijuana Seeds when you start the second round of bong hits it just hits you like a
wave. Immediate couch melt. Cancel your plans, you're not going anywhere. But it lets your mind stay
somewhat sharp, which is the best thing about it. Overall I was pretty pleased with this harvest. I had a couple
of problems in the early weeks of flowering with mites, and then nearer the end the cold started to set in a bit.
So considering that I was pleased with the yield. Although it did suffer the typical Big Bud problem of slightly
looser buds. I had one plant that was a monster! A good 8 inches taller than all the other plants, I ended up
having to tie her down. 4 huge colas each around 4x11. That plant probably yielded almost 4 ounces alone -
Content(Big Bud x Skunk 1) 23.25 oz. Cured, VERY well manicured. Also made 2 lb of butter, that turned out way too
strong) and 10 grams of hash. There were 8 1/2 plants grown from clone(one was a complete runt, I don't
know why I even let her live). Plants were vegged in an aeroponic/NFT system for 3 weeks under a 1000MH with
an AgroSun bulb. They were about 18-20 inches tall when switched. Each plant was topped twice. Flowering was
in an NFT system. The first 2 weeks a single 1000MH w/ AgroSun was used. A second identical light was added
at the third week. Flowering took about 70 days. These were the most crystallized plants of this variety that
I've ever grown. Slow cured over 1 1/2 months. First on newspaper, then into paper bags, then into mason jars.
Smell is incredible. High is incredible. Normally I find BB a little less potent that I'd like. This crop just floors
me.
High starts out mellow, upbeat, then when you start the second round of bong hits it just hits you like a
wave. Immediate couch melt. Cancel your plans, you're not going anywhere. But it lets your mind stay
somewhat sharp, which is the best thing about it. Overall I was pretty pleased with this harvest.
I had a couple
of problems in the early weeks of flowering with mites, and then nearer the end the cold started to set in a bit.
So considering that I was pleased with the yield. Although it did suffer the typical Big Bud problem of slightly
looser buds. I had one plant that was a monster! A good 8 inches taller than all the other plants, I ended up
having to tie her down. 4 huge colas each around 4x11. That plant probably yielded almost 4 ounces alone -
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Bud appearance- Buds look silver because they are so covered in crystals. Hairs are orange and few leaves that
remain are dark. Buds look great, in this reviewer's humble opinion. Bud density is definitely above average.
General notes- Shiskaberry is freaking leafy and takes tons of time to manicure, not that I'm complaining.
There is so much resin on leaves including fan leaves Canyoubuytrippystickonline that screening is a possibility. Lots of sticky fingers. The
Shisks were around 80 days old from seed and were done quickly in search of a good mother. As soon as
drying has finished I'll offer up some weight numbers. Plants sizes were from 2'(runts) to 3'(fatties).
" - kaka