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Although hash
from the area had been readily available in the late 70's, the Soviet invasion of that country greatly reduced
exports. In 1985, an Afghan refugee told Nevil the (cannabis) fields around Mazar-i-Sharif were being
destroyed. ""That was what I needed to hear"" says Nevil, "" I caught the next plane to Pakistan to save the
strain"""
"""After being smuggled into a refugee camp in Peshawar while lying on the floor of a car, Nevil made contact
with a 30-year old Muslim fanatic who had a throbbing vein that ran from between his eyes straight up to his
forehead.
The man took a lump of
trippy stick for sale in canada black hash out of his pocket and told Nevil that it had been processed by
his uncle, a man known as Mister Hashish. Surrounded by four men pointing machine guns at him, Nevil set
about negotiating with Mr. Hashish, a Mujahedin commander, and finally persuaded him to send a squad of
his men 280 miles into Soviet occupied territory and come back with two kilos of healthy Mazari seeds.
Nevil added "" He thought I was ridiculous because I didn't want to buy hashish or opium. Nobody had ever
come out to buy seeds, and at first he had no idea what I was talking about. I tried there trying to explain
genetics to this tribal hash leader in sign language. When he finally figured out what I wanted, he asked too
much money. I took a zero off his Canigetatrippystickinlosangeles price and gave him 10% up front. He called me a bandit, but I had the
seeds four days later."" - Nevil Schoenbottom, High Times Magazine, March 1987"
"If you got the real stuff from serious, the trick will be remaining patient while those babies mature.
My AK-47
seeds produced two outstanding mothers, each of which are about the best smoke I or any of my friends have
ever had (plus a few other very interesting plants).
My seedlings didn't show a lot of vigor, but that may have been from overwatering on my part - I was
completely new at the whole thing. They tend to be pretty sativa in appearance, though I did get a couple of
slightly indica types. They show preflowers at about six weeks, and do best topped back before flowering.
They
grow a lot, and stretch if you're not careful with them. My best smoking mothers weren't great yielders, but
they were tall. Just not great branching. Best to grow them SOG with tight spacing. Although
trippy stick spice I did get one
mother that branched like crazy, but the buds were stringy and stemmy and I won't be growing her out again.
I never had any problems with infestations or nutrients. You can give them high nutrient doses and they do
fine. Flowering time tends to be long, between 56-70 days, depending on the mother, although you can go
short, but it hurts the yield. Yields in general were not great, but then neither is my growing technique and
experience. Others report pretty good yields from what I hear.
The high is just plain supreme. Very up, cerebral, but smooth and completely non-paranoid. No racing. My
musician friends completely love the stuff. Very compatible with a
Marijuanaleafsocks
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tingent event. What society selects as crucial to
perceive about drugs, and what it ignores, tells us a great deal about its cultural fabric.
The scientist makes a distinction between those questions that can be answered
empirically and those wholly in the realm of sentiment. The question of whether
marijuana causes crime is answerable, but the question of whether marijuana is evil or not
is intrinsically unanswerable, within an empirical and scientific framework. It depends
completely on one's perspective. However clear-cut this distinction is in the scientist's
mind, as a tool for understanding the disputants' positions in this controversy, it is
specious and misleading for a variety of reasons.
(3 of 16)4/15/2004 1:03:47 AM
The Marijuana Smokers - Chapter 3
The strands of value and fact intersect with one another so luxuriantly that in numerous
reasoning sequences they are inseparable. What one society or group or individual takes
for granted as self-evidently harmful, others view as obviously beneficial, even necessary.
In crucial ways, the issue of harm or danger to society as a result of the drug pivots on
moot points, totally unanswerable questions, questions that science is unable to answer
without the resolution of certain basic issues. And for many crucially debated marijuana
questions, this modest requirement cannot be met. In other words, before we raise the
question of whether marijuana has a desirable or a noxious effect, we must first establish
the desirability or the noxiousness to whom. We must concern ourselves with the
differential evaluations of the same objective consequences. Many of the drug's
effects—agreed-upon by friend and foe alike—will be regarded as reprehensible by some
individuals, desirable or neutral by others. Often antimarijuana forces will argue against
the use of the drug, employing reasons which its supporters will also employ—in favor of
its use. We have not a disagreement in what the effects are, but whether they are good or
bad.
This is probably the most transparently ideological of all of the platforms of debate
about marijuana. Three illustrations of this orbit of disputation suffice.
Were marijuana use more prevalent than it is today, there would come the billowing of
a distinct aesthetic. The state of marijuana intoxication seems to be associated with, and
even to touch off, a unique and peculiar vision of the world.
That the marijuana-induced
vision is distinctive seems to be beyond dispute;5] that it is rewarding or fatuous is a
matter for endless disputation. Inexplicably, the drug seems to engender a mental state
which is coming into vogue in today's art forms.
An extraordinarily high proportion of
today's young and avant-garde artists—filmmakers, poets, painters, musicians, novelists,
photographers, mixed-media specialists—use the drug and are influenced by the
marijuana high. Some of the results seem to be the increasing irrelevance of realism; the
loss of itingent event. What society selects as crucial to
perceive about drugs, and what it ignores, tells us a great deal about its cultural fabric.
The scientist makes a distinction between those questions that can be answered
empirically and those wholly in the realm of sentiment. The question of whether
marijuana causes crime is answerable, but the question of whether marijuana is evil or not
is intrinsically unanswerable, within an empirical and scientific framework. It depends
completely on one's perspective. However clear-cut this distinction is in the scientist's
mind, as a tool for understanding the disputants' positions in this controversy, it is
specious and misleading for a variety of reasons.
(3 of 16)4/15/2004 1:03:47 AM
The Marijuana Smokers - Chapter 3
The strands of value and fact intersect with one another so luxuriantly that in numerous
reasoning sequences they are inseparable. What one society or group or individual takes
for granted as self-evidently harmful, others view as obviously beneficial, even necessary.
In crucial ways, the issue of harm or danger to society as a result of the drug pivots on
moot points, totally unanswerable questions, questions that science is unable to answer
without the resolution of certain basic issues. And for many crucially debated marijuana
questions, this modest requirement cannot be met. In other words, before we raise the
question of whether marijuana has a desirable or a noxious effect, we must first establish
the desirability or the noxiousness to whom. We must concern ourselves with the
differential evaluations of the same objective consequences. Many of the drug's
effects—agreed-upon by friend and foe alike—will be regarded as reprehensible by some
individuals, desirable or neutral by others. Often antimarijuana forces will argue against
the use of the drug, employing reasons which its supporters will also employ—in favor of
its use. We have not a disagreement in what the effects are, but whether they are good or
bad.
This is probably the most transparently ideological of all of the platforms of debate
about marijuana. Three illustrations of this orbit of disputation suffice.
Were marijuana use more prevalent than it is today, there would come the billowing of
a distinct aesthetic. The state of marijuana intoxication seems to be associated with, and
even to touch off, a unique and peculiar vision of the world.
That the marijuana-induced
vision is distinctive seems to be beyond dispute;5] that it is rewarding or fatuous is a
matter for endless disputation. Inexplicably, the drug seems to engender a mental state
which is coming into vogue in today's art forms. An extraordinarily high proportion of
today's young and avant-garde artists—filmmakers, poets, painters, musicians, novelists,
photographers, mixed-media specialists—use the drug and are influenced by the
marijuana high. Some of the results seem to be the increasing irrelevance of realism; the
loss of itingent event. What society selects as crucial to
perceive about drugs, and what it ignores, tells us a great deal about its cultural fabric.
The scientist makes a distinction between those questions that can be answered
empirically and those wholly in the realm of sentiment. The question of whether
marijuana causes crime is answerable, but the question of whether marijuana is evil or not
is intrinsically unanswerable, within an empirical and scientific framework.
It depends
completely on one's perspective. However clear-cut this distinction is in the scientist's
mind, as a tool for understanding the disputants' positions in this controversy, it is
specious and misleading for a variety of reasons.
(3 of 16)4/15/2004 1:03:47 AM
The Marijuana Smokers - Chapter 3
The strands of value and fact intersect with one another so luxuriantly that in numerous
reasoning sequences they are inseparable. What one society or group or individual takes
for granted as self-evidently harmful, others view as obviously beneficial, even necessary.
In crucial ways, the issue of harm or danger to society as a result of the drug pivots on
moot points, totally unanswerable questions, questions that science is unable to answer
without the resolution of certain basic issues. And for many crucially debated marijuana
questions, this modest requirement cannot be met. In other words, before we raise the
question of whether marijuana has a desirable or a noxious effect, we must first establish
the desirability or the noxiousness to whom. We must concern ourselves with the
differential evaluations of the same objective consequences. Many of the drug's
effects—agreed-upon by friend and foe alike—will be regarded as reprehensible by some
individuals, desirable or neutral by others. Often antimarijuana forces will argue against
the use of the drug, employing reasons which its supporters will also employ—in favor of
its use. We have not a disagreement in what the effects are, but whether they are good or
bad. This is probably the most transparently ideological of all of the platforms of debate
about marijuana. Three illustrations of this orbit of disputation suffice.
Were marijuana use more prevalent than it is today, there would come the billowing of
a distinct aesthetic. The state of marijuana intoxication seems to be associated with, and
even to touch off, a unique and peculiar vision of the world. That the marijuana-induced
vision is distinctive seems to be beyond dispute;5 that it is rewarding or fatuous is a
matter for endless disputation. Inexplicably, the drug seems to engender a mental state
which is coming into vogue in today's art forms. An extraordinarily high proportion of
today's young and avant-garde artists—filmmakers, poets, painters, musicians, novelists,
photographers, mixed-media specialists—use the drug and are influenced by the
marijuana high. Some of the results seem to be the increasing irrelevance of realism; the
loss of itingent event. What society selects as crucial to
perceive about drugs, and what it ignores, tells us a great deal about its cultural fabric.
The scientist makes a distinction between those questions that can be answered
empirically and those wholly in the realm of sentiment. The question of whether
marijuana causes crime is answerable, but the question of whether marijuana is evil or not
is intrinsically unanswerable, within an empirical and scientific framework. It depends
completely on one's perspective.
However clear-cut this distinction is in the scientist's
mind, as a tool for understanding the disputants' positions in this controversy, it is
specious and misleading for a variety of reasons.
(3 of 16)4/15/2004 1:03:47 AM
The Marijuana Smokers - Chapter 3
The strands of value and fact intersect with one another so luxuriantly that in numerous
reasoning sequences they are inseparable. What one society or group or individual takes
for granted as self-evidently harmful, others view as obviously beneficial, even necessary.
In crucial ways, the issue of harm or danger to society as a result of the drug pivots on
moot points, totally unanswerable questions, questions that science is unable to answer
without the resolution of certain basic issues. And for many crucially debated marijuana
questions, this modest requirement cannot be met. In other words, before we raise the
question of whether marijuana has a desirable or a noxious effect, we must first establish
the desirability or the noxiousness to whom. We must concern ourselves with the
differential evaluations of the same objective consequences. Many of the drug's
effects—agreed-upon by friend and foe alike—will be regarded as reprehensible by some
individuals, desirable or neutral by others. Often antimarijuana forces will argue against
the use of the drug, employing reasons which its supporters will also employ—in favor of
its use. We have not a disagreement in what the effects are, but whether they are good or
bad. This is probably the most transparently ideological of all of the platforms of debate
about marijuana.
Three illustrations of this orbit of disputation suffice.
Were marijuana use more prevalent than it is today, there would come the billowing Wherecanyoubuytrippystickcartdridgesonline of
a distinct aesthetic. The state of marijuana intoxication seems to be associated with, and
even to touch off, a unique and peculiar vision of the world. That the marijuana-induced
vision is distinctive seems to be beyond dispute;5 that it is rewarding or fatuous is a
matter for endless disputation. Inexplicably, the drug seems to engender a mental state
which is coming into vogue in today's art forms. An extraordinarily high proportion of
today's young and avant-garde artists—filmmakers, poets, painters, musicians, novelists,
photographers, mixed-media specialists—use the drug and are influenced by the
marijuana high. Some of the results seem to be the increasing irrelevance of realism; the
loss of i cannabis-sativa
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